A Golden Girl

Susan George

Susan George

Susan and Horses

Susan and Horses

Susan and husband Simon

Susan and husband Simon

An Executive Woman

An Executive Woman

“I’m so sorry I’m late. I’d forgotten how frantic city life can be. I’ve been fighting my way through London traffic for the last forty minutes.”

Susan George - lithe figure, blonde hair and the same youthful sparkle to her eyes that remained such a distinctive feature of the 70s pin-up actress – extended a hand and quickly took her seat opposite me at the table.

Having only the night before re-acquainted myself with the movie Straw Dogs in preparation for our interview I decided that asking about this film was the best place to start.

“It’s the film that everyone wants to talk about, despite the fact that I have made 35 international features as an actress during my career, but I totally understand, as it became such an iconic movie – both for the era and, for myself.”

Co-starring Dustin Hoffman and directed by the legendary – and notoriously crazy – Sam Peckinpah, it was a decisive piece of film making and often cited as being one of the director’s best works. But the media backlash which ensued had much to do with the controversial ending and a significant rape scene that to this day still causes much debate.

“Over the years there has been a lot of controversy over the interpretation of that rape scene, some suggesting that Sam’s intention was to debase women but responsibility for the role and how it was played, rests entirely upon my shoulders.”

“My perception, of the character portrayal, was of a woman somewhat lost for identity and in an unfulfilled relationship with her husband. She was seeking attention from him and ironically receiving it from all others. Amy Sumner’s rapist, was in fact an old flame, someone that she had loved in her teens, therefore there was an immense conflict of feelings. I certainly never portrayed the condoning of rape and neither was that Sam’s vision.” 

Susan performed in 11 plays for television before she was 12 years of age when she auditioned for the role of Brigitta in The Sound of Music – a production that her husband is now starring in at The London Palladium.  Her life has been constantly chronicled by the world’s press and her love life the subject of much debate throughout the 70’s. In 1984 she finally met and married the man who was to provide the “grounding effect” in her life, Simon MacCorkindale.

Simon and I are very similar characters in that we are both free-spirited and high achievers.”

They lived in Hollywood for a number of years before deciding to return to the United Kingdom to set up their successful production company – Amy International at Shepperton Studios we produced several features that were critically acclaimed and we are extremely proud of, but I have to say that the bricks and water of mounting a movie from start to finish was a stressful and sometimes painful process.” 

Her career of breeding Arabian horses was fuelled by the love of one chestnut mare gifted to her on her 23th birthday.

“Her name was Chatsy and I loved her beyond compare but owning her at the height of my film career meant that I spent months travelling the world and so often I was not at her side.  Eventually I felt so selfish that I decided to give her away to a dear friend of mine who had a farm in Malibu and would give her all the attention she so rightly deserved. It was one of the hardest decisions I’d made in my life and I swore that I would never have a horse again until I could be 100% committed with my time. Long after we returned to live in the United Kingdom we moved from my house at Windsor , on the River Thames to the farm that we’d always dreamed of and this is when I began to fulfill a lifetime dream.”

Georgian Arabians, set in the West Country of England, against an idyllic backdrop of hills and the wilds of Exmoor National Park , is now a respected and significant presence in the Gulf and recognised the world over. It facilitates some 50 purebreds most of which are owned by Susan, in addition there are several special horses in for training management and production for Georgian Arabian clients.

“I am very much a hands-on stud owner, the administrative side is all consuming at times and constitutes many hours in the office but I try to make the time to do what I truly love best and that is riding out with my team.”

Do you love it more than acting?  I asked

“That’s a difficult one. I would say both careers are comparative loves, in such different ways.  Recently I have signed up with a new manager and decided that my thirst for acting is still there.”

Last year also saw another talent of Susan’s come to fruition when Petley Fine Art, in London’s West End , exhibited her work as a photographer for the exhibition the Spirit of Equus, a collection of 40 stunning limited edition images of colour photographs and bespoke etching prints of horses. It ran for one week following a star studded opening and such was its success that she has now been invited to exhibit her collection exclusively for Harrods in the Spring of 2009. At the present time the images can be viewed and purchased exclusively through her website www.susangeorgeofficialwebsite.com.

I concluded my interview by asking Susan if she would ever return to acting full-time.

“I have never left the business completely. Both Simon and I are still very much involved – he more actively over recent years than myself – and our production company is still a going concern, I do see myself taking on another role, although I am in the fortunate position of being able to choose what I want to do rather than be forced into something out of necessity.”

“Acting is my trade; my first love and the foundation of who I am. When you hear performers say that the industry is in their blood, it might sound like a cliche but it’s the truth.”

For more information on Susan George and her company, visit her website at www.georgianarabians.com.


George R Vaughan

 

 

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